Tuesday, February 27, 2018

Out Of The Cradle

Out Of The Cradle
6X12, Oil on Panel

Here is yet another repaint.  The original of this was done back in February of 2006 and wasted a fine piece of linen.  This is of the Mars Opportunity rover looking back upon it's landing site.

#13 of 50

Sunday, February 25, 2018

Tuesday, February 20, 2018

Insanity-Genius

"Insanity-Genius"
25.5X19.5, Oil on Paper

This one was started and largely finished a long time ago but I had some resolved areas.  I finally decided to just let fix it and let it fly.

#11 of 50

Thursday, February 15, 2018

Beyond

"Beyond"
4X6, Oil on Aluminum Panel

My first outing painting on aluminum!  The photo reference for this was provided by a fellow artist from Finland.  This specific stretch of road, which looks to have been very treacherous on this foggy day is a bit north of Helsinki.

#9 of 50

Wednesday, February 14, 2018

The Back Forty

"The Back Forty"
18X24, Oil on Panel

This one is another repaint of an older painting.  The original version of this was completed in 2009 and was shown at a gallery in North Little Rock called Ketz during it's brief life.  The original version is still in my possession and will now either be destroyed or put into deep freeze.  The image was a complete fabrication from my imagination, cobbling together a variety of motifs from the Ozark Mountains.

#8 of 50

Tuesday, February 13, 2018

A Study of Aluminum Panels for Painting, Part 2

In Part 1 of this study, I discussed the rationale for wanting to try aluminum panels and discussed preparations for use.  Here in Part 2, I will discuss the priming and first experience with usage of the aluminum panels.

If you will recall, after cleaning the 3 little panels, I did a test of trying to apply a wash right on the unprimed aluminum.  Not surprisingly, there was little to no adherence so I wiped that panel clean and applied straight lead white paint as a primer of sorts.  The other two panels got my normal acrylic gesso.

Normally, on my wood panels, I use 3 coats of acrylic gesso to get a satisfactorily white surface.  The aluminum panels required 4 minimum.  For some background, I do not sand between coats.  I like the natural brushmarks and do not feel a flat surface is necessary for how I work.

3 panels ready for paint.  Note the upper left one, this is the one which was primed with lead white paint.  It only got one coat and will painted on just like this.


A fellow artist I know from the great white north of Finland had some wonderful photos of some snow and fog which I wanted to paint so I chose one of these small panels just for that purpose.  I gave it a nice wash of pink and then proceeded to paint.  I really did not note any differences in working on this surface versus a wooden panel.  The paint seemed to move similarly, which is what one would expect, both surfaces being relatively smooth compared to canvas or linen even.  All in all, I am quite happy with the result.


Next time...weight concerns.

Thursday, February 8, 2018

The Things Between Darkness and Light

The Things Between Darkness and Light
30X40, Oil on Canvas

Here is the large version of the study I posted a while back.  This piece again made me question ever working on canvas again.  I just do not like the brush feel of the surface.


#7 of 50

Wednesday, February 7, 2018

A Virginia Snowfall

A Virginia Snowfall
12X16, Oil on Panel

From outside the small town of New Market just off of I-81 in Virginia.

#6 of 50