Friday, May 27, 2011

Falling Water Falls, Pope County

Falling Water Falls
11X14, Oil on Birch Panel
SOLD

A few weeks ago, I took my son waterfall hunting in the Ozarks.  We've had a phenomenally long waterfall season in this year.  Usually by this time of year, they are starting to trickle.  the downside to the long waterfall season is flooding and severe weather.  I started this one en plein air with a value sketch and then colored it in the studio.  Falling Water Falls is one of the easiest falls in the state to get to and as a result is a favorite target of photographers.  I've never seen a painting of it before though.  It lies at the extreme northern end of Pope County just a bit before crossing into Searcy County on Falling Water Creek in the Ozark National Forest.  On this same day, we saw Six Finger Falls and Keefe Falls.  I packed my 13 lb pochade the .5 mile bushwhack into Keefe Falls and did a value sketch there as well as the rain fell.


Wednesday, May 11, 2011

Cotter Train Bridge #2, Baxter County

Cotter Train Bridge #2
12X16, Oil on Birch Panel
SOLD

 
Well folks, I promised myself when I started this blog that I would try to post something often enough that I never felt the need to offer an apology for not posting "in forever."  But here I am, sorry for not posting in forever!  I've been working on several pieces simultaneously and waiting until several were done before posting. I must confess, that with gas prices going up, my progress on this project is probably going to take a major hit this summer.  I plan on trying to pick off a few nearby counties in central Arkansas but will probably not be going very far afield.  I'm going to be working on a portfolio for a submission to a very specific gallery this summer.  I don't plan on posting many of those as I go along.  I might change my mind though.  There may be more action over at my other blog The Art of John D. Wooldridge.

You may remember a few weeks ago, I posted a 6X8 version of this painting.  I liked it enough that I wanted to do a larger version.  While there were many good qualities to the smaller one which did not get translated over into this one, I feel the overall drama of the piece is vastly enhanced.

Interestingly, Bill Garrison told me at his workshop I attended last month that he also did a painting of this bridge at one point in time.  He told me this bridge was designed to rotate on the central pier to accommodate river boat traffic.  After the bridge was finished, the rotation function was tested and then rotated back into place .  It hasn't moved since.  He titled his painting, "Old Once Around."  I wonder what it looks like.