Wednesday, July 20, 2011

Buffalo River Artisans Guild Demo Painting



I was invited to do a demo for the Buffalo River Artisans Guild last Saturday so I traveled up to Marshall, AR in the heart of the Ozarks.  I was hoping the weather would cooperate and enable me to do a plein air landscape painting but with the heat, I thought it would be best to keep everyone inside.  I had never done a demo like this in front of people who would be watching everything from beginning to end and expecting some commentary.  But as it turns out, this was a great dry-run for something I will be doing this fall.  I have been selected to be Artist in Residence on the Buffalo National River in September.  In association with this, I will be giving a workshop so the experience here was invaluable.

This painting will be auctioned by the club in August.

Monday, July 18, 2011

Helena, Phillips County - An Impromptu Paintout!

Helena, AR

On Sunday, July 10, I traveled east to the very edge of the state and the mighty Mississippi River.  Helena Arkansas was at one time instrumental in the birth of the grandfather of many forms of American music, the Blues.  Helena was the voice of the Blues starting in 1941 when King Biscuit Time debuted.  King Biscuit Time was a radio show which played the Blues exclusively, giving a voice to African-Americans during a time when they were afforded little to none in the popular media, especially in the South.  It was the first of it's kind.  In 1941, in Helena, Arkansas, Southern African-American culture began to be disseminated to the masses.  And the culture of America was forever changed.  One could certainly argue that this was bound to happen somewhere.  If not Helena, then Memphis.  But the simple fact is, it began in Helena.

 Helena was chosen as the subject of the day by Matt Lee, an artist whose acquaitance I had made via the Wetcanvas online artist community.  He also made arrangements for us to meet and paint with the curator of the Delta Cultural Center, Mr. Bill Branch.  We arrived at 10AM and met at the DCC visitor center.  Bill gave Matt and I a tour of their impressive facility.  Not only were the interpretive exhibits of the history of the Blues and the delta top notch, there was also some fantastic art on display from Hearne Fine Art in Little Rock.  After this, Bill gave us a tour of town.  Helena straddles the very end of Crowley's Ridge.  This landform is unique in North America, it a long ridge of fine soil that runs north-south from southern Missouri to the Missisippi River at Helena in the middle of the pancake flat Delta.  When I was in high school, I went on a gifted and talented program which spent 4 weeks touring the entire state.  At that time, the prevailing thought on the formation of Crowley's Ridge was that is was a deposit of windblown loess.  That seems to be in doubt these days as some sources say it as fluvial in origin or possibly that it is rising due to tectonic forces.  I still subscribe to what I learned many years ago, that it is windblown loess.

Helena is a far different place today than it was in 1941.  Most of the industry is gone and Cherry Street (Helena has no Main Street) is populated with ghosts of the past.  Empty store fronts are much more common than those with tenants.  Still, there is something different to Helena than other towns with this same problem.  There's a strong desire in Helena to rebuild the community.  There are thriving churches downtown and more history than you can shake a stick at.  Some of it is in sore disrepair but some of it is being restored.  I would say that the source of this palpable energy is in large part due to the Delta Cultural Center.   I feel that Helena is the front line of a decades long fight against the decay of small town America.   It has had one of the steepest declines in population in the entire country.  If this town can turn things around, then so can others.  With it's rich history, I think they have a chance.

We started the painting for the day on a boardwalk by the river with the US 49 bridge providing a backdrop.  The heat index was probably already well over 100°F.  I set up in what was a smattering of shade that lasted about 15 minutes at best.  We planned on working for about an hour and with that time constraint in mind, I chose a long-view that cropped out all the foreground.  As the sun moved out from behind a few leaves and fell directly onto my palette, the paint began to slump and all but refused to stick on my simply prepared panels.  I found myself wishing I used linen!  I made do, however.
Matt's first of the day


Close up of Matt's first

Bill's first of the day


My first simple little painting of the day

After this, we returned to the DCC for a light lunch and to refill water bottles.  Then it was time to hit Cherry Street and do some urban landscape.  I chose a building with a nice little striped canopy that Matt pointed out.  It was next door to a building with rusted iron features that I thought would also have made a great little painting but I wondered if I could get that in the amount of time I wanted to spend and from across the street where the best shade was.  The building currently houses Gist Music store and is on the west side of Cherry.  The sun was past zenith and cast a nice shadow across the first third of the canopy.  I quickly built my shadows and I'm very glad I did because the shadow on the canopy crept quickly across the full face of it and by the time I was done had engulfed the entire front of the street.  Both Matt and Bill chose much more challenging, full block scenes.
Bill Branch's second of the day


Matt Lee Works on his 2nd of the Day



Gist Music

In all, I'm very happy with the day.  I don't know if I've ever had time to even try to paint two paintings on location before in the same day, let alone make two that I would be willing to show!  My camera has suddenly decided it's done with it's life.  As soon as I get a new one, I'll post the cropped pictures of these completed pieces.

Tuesday, July 5, 2011

Searcy County Barn, Study

Searcy County Barn Study
9X12, Oil on Oak Panel
SOLD
I painted most of this one during last month's Argenta Art Walk.  It is based on a barn between Snowball and Witts Springs in Searcy County.  The actual barn is considerably more dilapidated than I'm showing it.  I'm seriously considering doing this on an 18X24.   There are at least 2 errors here that need to be corrected...anyone?

Monday, June 20, 2011

1 Year Anniversary!

As hard as it is to believe, this blog is now one year old!   I still have no idea how long it will take me to complete this challenge but I feel like I'm making good progress.  When I started, I had only about 8-10 counties done so I've more than doubled that in a year.  Not earth shattering I know I'm happy with that production rate for now.  Thanks to everyone who follows and reads this blog.  I appreciate it and, of course, love to hear feedback!  Happy Birthday Painting Arkansas blog.

Wednesday, June 15, 2011

Jefferson County Courthouse, Pine Bluff, Jefferson Co

Jefferson County Courthouse
11X14, Oil on Birch Panel
SOLD

Last weekend I went down to Pine Bluff to paint what I think may be the most striking courthouse in Arkansas.    The Jefferson County courthouse is this marvelous white with a glowing golden painted dome.   While not the most ornate courthouse in the state, it certainly does stand out.  It was built in 1856 and partially burned in the '70's.  I had never been to Pine Bluff before last Saturday.  It is a small town with big city problems and the reputation of the town is well known.  I found a downtown deserted on a Saturday morning.  Almost no business was open and the traffic count on Barraque Street, what should be a fairly major street in downtown, was probably no more than 30 cars the whole time I was there.  Several passed by me more than once.  Only one person came by to talk to me and I only saw one other person on foot.

I set up in the shadow of a building across the street from the courthouse, knowing the blazing hot sun would soon rear up over the top of the roofline and bath me.  I had been hoping to catch the building fully backlit so I could explore some more color in the sky but by the time I got there, the sun was already high enough that no cool sky colors were to be found.  You might could call this a modified Sargent palette.  I used Cobalt blue, yellow ochre, and transparent red oxide which I consider to be in essence the same as what Sargent used for a lot of his architectural work.  He probably used ivory black which can appear very blue when tinted and used alongside warmer colors. 

I struggled mightily with size and perspective in this one.  The color of the shadowed white building also gave me fits.  I should have done it from the eastern side so as to avoid that problem but it's always good to take on a challenge.  There were several moments when I almost gave up on it.

After I had had enough of this one, I wandered about the streets for a while, taking photos.  It was enough to rend the preservationist soul of me.  I could clearly see what the town of Pine Bluff had been and what it still could be.  But the fact I could stand in the middle of Main Street for minutes on end trying to find the best vantage point possible on a Saturday morning spoke volumes for how far this town has fallen. 

As is all too often the case with me, I fell in love with what I could see the town becoming.  I know I'll be back.